A Demon that Slips into Your Telescopes while You’re Dead Tired and Blocks the Light, 4K, 54 min, 2020

Let Us Go Back to the Beginning Itziar Barrio, Salt Galata, May 23 – September 29, 2024
ROBOTA MML

The Bank, Concrete and spandex, 40 x 30 x 20 cm, 2024

The Jail, Concrete and spandex, 40 x 30 x 20 cm, 2024

Humo (4k, 7’, 2024) and Visible Light Extremes, Site-specific lighting interventions at multiple sites at Salt Galata, 2024

Hydra/Medusa 2024, 5 x 4 m, Concrete, spandex, lighting filters, hardware, epoxy resin, Arduino, motor, custom circuit board, LED lights, electrical pipes, and data  

The Job, Concrete and spandex40 x 30 x 20 cm, 2024

Visible Light Extremes, Site-specific lighting interventions at multiple sites at Salt Galata, 2024

Visible Light Extremes, Site-specific lighting interventions at multiple sites at Salt Galata, 2024

Hydra/Medusa 2024, 5 x 4 m, Concrete, spandex, lighting filters, hardware, epoxy resin, Arduino, motor, custom circuit board, LED lights, electrical pipes, and data  

The skin will go limp and sore like a stinging heat, Concrete, spandex, lighting filters, hardware, epoxy resin, Arduino, motor, custom circuit board, LED lights, electrical pipes and ROBOTA MML film smoke related appearances related data, 2024, 110 x 50 x 50 cm

The skin will go limp and sore like a stinging heat

The skin will go limp and sore like a stinging heat

Particle Matter, In collaboration with Seth Cluett. 2021, 4K, 13'24" 

Particle Matter, In collaboration with Seth Cluett. 2021, 4K, 13'24" 

Particle Matter, In collaboration with Seth Cluett. 2021, 4K, 13'24" 

ROBOTA MMML at Particles and Digital Serfs. NEW INC, New Museum and Onassis ONX, NYC, March 2024
Itziar Barrio & Janet Biggs. Curated by Jane Ursulla Harris

ROBOTA MMML at Particles and Digital Serfs. NEW INC, New Museum and Onassis ONX, March 2024
Itziar Barrio & Janet Biggs. Curated by Jane Ursulla Harris

Cosmos Cinema. 14th SHANGHAI BIENNALE, Nov 2023 - Oct 2024
Curated by Anton Vidokle, Zairong Xiang, Hallie Ayres, Lukas Brasiskis, and Ben Eastham.

Cosmos Cinema. 14th SHANGHAI BIENNALE, Nov 2023 - Oct 2024
Curated by Anton Vidokle, Zairong Xiang, Hallie Ayres, Lukas Brasiskis, and Ben Eastham.

Bodybuilder, 2023, 4K video on a monitor on a Squat Rack Stand, concrete, brass rubber, spandex, paint and epoxymonitor on a Squat Rack Stand

Weights I, 2023, Concrete, brass, rubber, spandex, paint and epoxy, 60 x 38 x 38 cm (23 5/8 x 15 x 15 in)

Dirty feet II, 2023, Concrete, metal and bronze, 16 x 57 x 18 cm (6 1/4 x 22 1/2 x 7 1/8 in)

through the night, 2023, Concrete, spandex, lighting filters, hardware, epoxy resin, Arduino, motor, custom circuit board, led lights, electrical pipes and Laura Forlano's insulin pump alert data, 60 x 130 x 80 cm (23 5/8 x 51 1/8 x 31 1/2 in)

Laying your eyes on me, 2023, Concrete, metal and used spandex leather pants, 34 x 25 x 25 cm (13 3/8 x 9 7/8 x 9 7/8 in)

did not feel low, was sleeping

Installation view. Smack Mellon, NYC

March 11-April 23, 2023

Lujos, 2023, Concrete, chicken wire, tube, epoxy and used necklaces, 48 x 30 x 18 cm (18 7/8 x 11 3/4 x 7 1/8 in)

Fuente, 2023, Concrete, rubber, metal, epoxy and used spandex leather pants, 30 x 23 x 23 cm (11 3/4 x 9 x 9 in)

was on low, 2023, Concrete, spandex, lighting filters, hardware, epoxy resin, Arduino, motor, custom circuit board, led lights, electrical pipes and Laura Forlano's insulin pump alert data, 125 x 60 x 63 cm
(49 1/4 x 23 5/8 x 24 3/4 in)

While driving to vacation, 2023, Concrete, spandex, lighting filters, hardware, epoxy resin, Arduino, pumps, tubes and custom circuit board. Variable dimensions

Calibrate now, 2023, Concrete, spandex, lighting filters, hardware, epoxy resin, Arduino, motor,
custom circuit board, led lights, electrical
pipes and Laura Forlano’s insulin pump
alert data. Variable dimensions

Hydra stairs, Summer 2022, 2023, Photograph on aluminum, 90 x 67 cm (35 3/8 x 26 3/8 in)

Artefact I, 2023, Custom circuit board, concrete, epoxy and Laura Forlano's text, 34 x 34 x 7.5 cm
(13 3/8 x 13 3/8 x 3 in)

Those pants, 2023, Concrete, used spandex leather pants, 42 x 23 x 8 cm (16 1/2 x 9 x 3 1/8 in)

Artefact II, 2023, Custom circuit board, concrete, epoxy and Laura Forlano's text, 34 x 34 x 7.5 cm
(13 3/8 x 13 3/8 x 3 in)

Itziar Barrio: and Dan and (when some small metal is spun)
La MaMa Galleria, NYC, 2023
Photos by Etienne Frossard

and Dan and (when some small metal is spun), 2022, 4K video, 15 min 25 sec

and Dan and (when some small metal is spun). Installation view. La MaMa Galleria, NYC, 2023

The reader own emotional body of the text, 2023, used painters plastic, metal bars, Led neon lights and Led light synched with sound. Variable dimensions 

and Dan and (when some small metal is spun). Installation view. La MaMa Galleria, NYC, 2023

The reader own emotional body of the text, 2023, used painters plastic, metal bars, Led neon lights and Led light synched with sound. Variable dimensions 

Shower Curtain II, 2023, Used vinyl shower curtain, found stretcher, spray paint, epoxy, concrete dust and neon led light, 20.3 x 30.3 inches

Shower Curtain I (The dragon will fire at any moment that the body is not in a crisis), 2023, Used vinyl shower curtain, found stretcher, spray paint, epoxy and concrete ink dust, 26.3 x 26.3 inches

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE)
Installation view at PARTICIPANT INC, NYC. 2022
PhotoS: Daniel Kukla.

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York.

Untitled (JEFF 7), 2022 Latex, Metallic structure (IKEA JEFF Chair) and cement. 30 x 36 x 75 inches

Untitled (JEFF 7), 2022 Latex, Metallic structure (IKEA JEFF Chair) and cement. (DEATIL).30 x 36 x 75 inches

Untitled (JEFF 7), 2022 Latex, Metallic structure (IKEA JEFF Chair) and cement. (DEATIL).30 x 36 x 75 inches

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, Brazaletes, C-Print, 2022. Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Photo: Daniel Kukla.

The repetition of things they do make meaning, 2022, Participant Inc, New York. Photo: Daniel Kukla

Itziar Barrio, Minerva plegada en cañería IV, 2022. Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, It’s all whatever we want it to be, 2022. Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, Putting it into our bodies, 2022. Participant Inc, New York. Photo: Daniel Kukla. 

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, Untitled (JEFF 6), 2022. Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, Plegada, 2022. Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Archival exhibition and web project curated by Elizaveta Alexandrovna Shneyderman. Photo: Daniel Kukla.

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Photo: Daniel Kukla.

Untitled 1 and Untitled 2, 2022

Silkscreen and spraypraint on paper

35 x 23 inches

Minerva plegada en cañería I. Concrete, clay, used plumbing pipe, paint, chains, used rubber and latex. 126 x 125 x 40 cm. 2019.

Minerva plegada en cañería II. Concrete, clay, used plumbing pipe, paint, and latex (DETAIL). 126 x 50 x 30 cm. 2019.

Minerva plegada en cañería III. Concrete, used plumbing pipe, paint, wax and latex. 126 x 25 x 30 cm, 2019.

Minerva plegada en cañería I. Concrete, clay, used plumbing pipe, paint, chains, used rubber and latex (DETAIL). 126 x 125 x 40 cm. 2019.

Minerva plegada en cañería I. Concrete, clay, used plumbing pipe, paint, chains, used rubber and latex (DETAIL). 126 x 125 x 40 cm. 2019.

Minerva plegada en cañería II. Concrete, clay, used plumbing pipe, paint, and latex. 126 x 50 x 30 cm. 2019.

Minerva plegada en cañería II. Concrete, clay, used plumbing pipe, paint, and latex (DETAIL). 126 x 50 x 30 cm. 2019.

Minerva plegada en cañería III. Concrete, used plumbing pipe, paint, wax and latex (DETAIL). 126 x 25 x 30 cm, 2019.

BY ALL MEANS (Survey exhibition) curated by Johanna Burton (Director of The Museum of Contemporary Art (MOCA) in Los Angeles and former curator at the New Museum), Azkuna Zentroa, Bilbao, Feb 15 - May 6, 2018

BY ALL MEANS, curated by Johanna Burton (Keith Haring Director and Curator of Education and Public Engagement at the New Museum), Azkuna Zentroa, Bilbao, Feb 15 - May 6, 2018

Pickpocket II. Inkjet,Silkscreen on plexiglass, concrete,latex and hooks. 226 x 180 x25 cm. 2018

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Mirroring Basic Insticnt.2 Channel HD Video Sound, 1' 50", 2018. BY ALL MEANS curated by Johanna Burton

Mirroring Basic Instinct. 2 Channel HD Video Sound, 1' 50", 2018. BY ALL MEANS curated by Johanna Burton

Script (Monologue Basic Instinct). Inkjet on paper. 2018. 70 x 50 cm. Photo @MaiteArberas

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BY ALL MEANS, curated by Johanna Burton (Keith Haring Director and Curator of Education and Public Engagement at the New Museum), Azkuna Zentroa, Bilbao, Feb 15 - May 6, 2018

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NOTHING TO BE SCARED OF. THEY ARE CRAZY ABOUT EACH OTHER (LIGHTLY BRACING). 2018
Latex, 13 metallic structures (Ikea JEFF chair), cement and paint
119,3 x 99 x 99 cm (each)

NOTHING TO BE SCARED OF. THEY ARE CRAZY ABOUT EACH OTHER (LIGHTLY BRACING). 2018
Latex, 13 metallic structures (Ikea JEFF chair), cement and paint
119,3 x 99 x 99 cm (each)

13.jpg

BY ALL MEANS, curated by Johanna Burton (Keith Haring Director and Curator of Education and Public Engagement at the New Museum), Azkuna Zentroa, Bilbao, Feb 15 - May 6, 2018

UNTITLED (JEFF 3). 2018
Latex, Metallic structure (IKEA JEFF Chair) and cement
100 x 100 x 70 cm

UNTITLED (JEFF 4). 2018
Latex, Metallic structure (IKEA JEFF Chair) and cement
100 x 100 x 70 cm

Itziar10_2.jpg
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“A” on top of “I will”. Cement and silkscreen on latex. 12 x 5 x 5 inches. 2016

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All of Us Want to Work Less. Naves MATADERO. 2019

All of Us Want to Work Less. Naves MATADERO. 2019

All of Us Want to Work Less. Naves MATADERO. 2019

All of Us Want to Work Less. Naves MATADERO. 2019

All of Us Want to Work Less. Naves MATADERO. 2019

All of Us Want to Work Less. Naves MATADERO. 2019

All of Us Want to Work Less. Naves MATADERO. 2019

All of Us Want to Work Less. Naves MATADERO. 2019

THE PERILS OF OBEDIENCE. Solo Exhibition. MUSEO DEL BANCO DE LA REPÚBLICA. Bogotá, Colombia. 2017

TOUCH (Variation III)

Silkscreen,transfer and latex on paper

57 x 38 cm

2017

EURYTHMICS

Silkscreen on paper

57 x 38 cm

2017

THE PERILS OF OBEDIENCE. Solo Exhibition. MUSEO DEL BANCO DE LA REPÚBLICA. Bogotá, Colombia. 2017

TOUCH series

Silkscreen,transfer and latex on paper

57 x 38 cm (each)

2017

TOUCH (Annie). Latex, silkscreen on plexiglass, silkscreen on latex, maple, plywood and hooks. 43.4 x 35.4 x 15.7 inches. 2016

THE PERILS OF OBEDIENCE. Installation view. PARTICIPANT INC. NYC 2016

“A” on top of “I will”. Cement and silkscreen on latex. 12 x 5 x 5 inches. 2016

Pickpocket (Detail). Inkjet, archival Inkjet, walnut frame and hook. 89 x 71 x 10 inches. 2016

Pickpocket. Inkjet, archival Inkjet, walnut frame and hook. 89 x 71 x 10 inches. 2016

Effort (Detail). Silkscreen on latex, cement, plywood, DMF and hook. 35.4 x 23.6 x 11.8 inches. 2016
Nothing to be scared of. They are crazy about each other. Latex, metallic structures (Ikea JEFF chair), cement and paint. 47 x 39 x 39 inches. 2016

TOUCH (Annie). Latex, silkscreen on plexiglass, silkscreen on latex, maple, plywood and hooks. 43.4 x 35.4 x 15.7 inches. 2016

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TOUCH. Silkscreen on latex and concrete. 36 x 18 inches. Edition of 8 + 2 AP. 2016
Effort (Detail). Silkscreen on latex, cement, plywood, DMF and hook. 35.4 x 23.6 x 11.8 inches. 2016
All of us want to work less Cement and latex 11 x 8 x 4 in. 2014
YO SIEMPRE PUEDO (diptych) Silkscreen on latex, metallic structure (Ikea JEFF Chair), paint and cement 47 x 39 x 39 in. 2014
Untitled Cement and latex 10 x 5 x 5 in 2014
THE MUSIC YOU WANT ME TO HEAR
Untitled (JEFF 2) 2014
Because society tells me (as Tarantino said) 2014 Silkscreen on latex 27 x 35 inches
I do not have to prove you anything 2011 C-Print 39.4 x 27.5 inches
Untitled ("The card players" by Caravaggio) C-Print 39.4 x 27.5 inches 2011
SWEET DREAMS AlhondigaBibao 2011
AT THE BACK, BEHIND THE PARADE Artium Museum 2011
AT THE BACK, BEHIND THE PARADE
LO MISMO, LO OTRO Banners 196 x 160 x 118 2011
I'm a writer Silkscreen on latex 79 x 19 in. 2014
I use people for what I write El Museo de Los Sures and the International Studio & Curatorial Program (ISCP) 2014
THE MUSIC YOU WANT ME TO HEAR adhoc Gallery, Spain 2014
Untitled (JEFF 1) 2014 Latex, Metallic structure (IKEA JEFF Chair) and cement 47 x 39 x 39 inches
Because society tells me (as Tarantino said) Silkscreen on latex 27 x 35 inches 2014
Untitled (JEFF 1) Latex, Metallic structure (IKEA JEFF Chair) and cement 47 x 39 x 39 inches 2014
WE COULD HAVE HAD IT ALL La Taller Gallery 2013
WE COULDHAVE HAD IT ALL 2013
WE COULD HAVE HAD IT ALL La Taller Gallery 2013
KRYPTONITE Installation Cervantes Institute, NYC 2011
Untitled (Detail) Wood, paint and laser cut vinyl 24 x 15.7 inches 2011
The consequences are clear Banner, Wood and video on LCD screen Variable dimensions 2009
LO MISMO, LO OTRO (Detail) Banners 196 x 160 x 118 2011
Untitled Banner 44 x 35 inches 2011
KRYPTONITE Installation Cervantes Institute, NYC 2011
Untitled (Detail) Wood, paint and laser cut vinyl 24 x 15.7 inches 2011
The consequences are clear (Detail) 2009
WELCOME TO THE NEW PARADISE White Box, NY 2009
WELCOME TO THE NEW PARADISE Sala Rekalde, Bilbao Installation 2009

PINK CAR CRASH
Publication
Fly by NIght Press
NYC
2008

Everything else gives me problems Banner and wood 43 x 26 x 26 inches 2009
Untitled (Dyptich) C-Print 39.4 x 27.5 inches (each) 2010
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