Through the project "We could have had it all", Itziar Barrio assimilates different phenomena: the "people's mic" as a formula of popular protest in public squares, when it is forbidden to use amplifiers (Occupy Wall Street); the crystallisation of contemporary myths in mass concerts where pop stars invite their audience to continue their songs (Adele), and an ancestral form of communication that predates theatre (bertsolarismo). In all these cases, amplification of the voice and repetition are a constant. The microphone appears in all these manifestations as a prohibited and/or desired object. An instrument of power: to be snatched away, to facilitate, to share. This erect device is exactly what enables the amplification and repetition of voices, thoughts, ideas, and signature tunes, making the microphone a symbol of the public sphere and the transmission of stories.
Through the exclamation "we could have had it all // dena eduki genezake", frustration, desire and social struggles come to light. Two storytellers with narrative tools and their own languages (English and Basque) will unveil a hidden story that is or isn't fictional, that is or isn't credible. North American writer Chavisa Woods and bertsolari Maialen Lujanbio form part of the project creation process, through a dialogue of figures between the two artists, functioning simultaneously as producers and protagonists of this story.
What marks the project is the fragmentation of an audiovisual piece. Audio and image in movement, separated, bring about a frustrated dialogue. The voice hangs in the Arriaga Square just as on so many other occasions at the beginning and end of countless demonstrations and protests. The image comes in and takes its place on the stage facing the stalls. The audio-visual, film and theatre, outside and inside, public and private space. Dichotomy and diptych are the formal keys to the proposal, but to the language too, for that is what is predominantly used to resolve, understand and create a conflict. There is always conflict, as there is always language.